It cannot be denied that South Africa has brought forth several amazing films and productions. From Tsotsi to Jerusalema, South African films have shook the big screen and have been engraved in our minds. With that being said, why is it that we are not watching South African films and movies anymore?

Whether we have paid conscious attention to it or not, Nollywood cinema and its influence on popular culture in the current digital age has been a long-in-the-works phenomenon, which has only very recently received its global due diligence.

Mitchell Gilbert Messina, an experimental South African artist, has an intuition for blending satisfactory design with intentional artistry. He recently added co-founder of the artist-run Under Projects gallery space to his list of constantly growing roles.

Not so long ago, attaining genuine artistry as a musician was a privilege reserved for nepo-babies, industry giants or those talented enough to be chosen and sponsored by capital corporations – today, music is an art form that is currently being revolutionized and we owe a large part of that ubiquity to the bedroom studio.

Once a month, Marvel fans and Twilight fans gather on Twitter to reiterate the impact of watching the Avengers assemble against Thanos and the Cullens face off against the Volturi respectively, live in the theatre. Although the age of streaming has long taken over, we are still a generation that craves to make a connection with what they consume beyond watching.

At 7:32 pm on the 25th of December 1991, the revolutionary red flag of the Soviet Union was lowered from atop the Council of Ministers building in the Kremlin. At 7:45 it was replaced by the Russian tricolor flag above the illuminated dome, as chimes from the Spassky Tower clock rang to mark the momentous occasion.

LUKHANYO MDINGI’S MOST RECENT CREATIVE ENDEAVOUR, THE PROVENANCE, PART 1 WAS AN EXHIBITION AT THE FOURTH CO-CURATED BY MORNE VIASGIE AND THE FOURTH, BASED ON THEIR AW22 COLLECTION: BURKINA.

AN INTERVIEW WITH ARTIST SSSKYLARKKK, ABOUT HIS LATEST RELEASE SKYPARK. ACCOMPANIED BY SOME SMALL TOWN CHITCHAT

In 2000, a Special Assignment program was aired that exposed the vicious dog training techniques used by the North East Rand dog unit.

In the program we are shown a video captured by the officers themselves, one that the dog unit took so much pride in that they would screen the footage for their fellow policemen and friends at a braai. The footage itself is from 1998 and portrays 6 policemen who wanted to train 2 young police dogs to be vicious and aggressive. 2 older dogs were to be used to teach the new dogs how to attack and bring down a human target. Those human targets were 3 immigrants that had been picked up, without any charges, for the sole purpose of this dog training

Hyperreality refers to the condition of being unable to distinguish and differentiate between reality and simulations thereof. This is exemplified more intensively by social media. At the genesis of the 21st century, hyperreality was perpetuated primarily by basic modern media. TVs, magazines and movies were the primary advocates of hyperreality. Unrealistic standards of existence were illustrated through these forms of media. In today’s atmosphere, the primary advocate of hyperreality is social media. It heavily blurs the lines separating reality and simulations portraying reality. 58,4% of the world’s population is active on social media. This implies that the advancement of hyperreality is perceived by over half of the world’s population. No wonder we hate ourselves so bad.